Hey guys, Brad Litton from SimpleGuitar.com. This blog post transcribes my YouTube lesson on arpeggios — what they are, how to practice them, and how to start using them musically. This is mainly geared toward beginners. If you're intermediate, it's a great refresher.
This one came back up because a student (Ricky) had a breakthrough with arpeggios in a coaching session, and I realized we hadn't talked about them in a while.
There's a related video on memorizing notes on the fretboard (about 4 minutes a day). That's worth doing, because knowing the notes is what really sets you free with this stuff. Link from the video: How to memorize notes on the guitar fretboard in 4 minutes a day
An arpeggio is the notes of any chord, played one at a time instead of all at once.
Another way to think about it: every other note of a scale. First note, third note, fifth note — that's an arpeggio. Those also happen to be the same notes that make up the chord. For G major, that's a G major arpeggio.
Arpeggios live all over the guitar once you know the notes on the fretboard.
If you play a G chord, it helps to know where the G notes are on each string, at least from fret 1 to 12:
From there you can play the chord, then a simple two-string arpeggio shape, then move that idea to the next string. That's an easy way to get familiar.
When you're soloing over a chord progression, you want it to sound like it belongs. Knowing your arpeggios — and how they relate to each other — makes that a lot easier than just camping in one scale box.
Simple progression that just alternates G and C.
G major notes: G, B, D
C major notes: C, E, G
One G arpeggio on strings 4 and 3 (from the lesson): fifth fret on the fourth string, fourth fret on the third string, then seventh fret on that third string. Target those notes over G and it sounds great.
When the chord changes to C, switch to a C arpeggio nearby. You have to know where C is and where that arpeggio can be played.
Three-string G (strings 1, 2, 3):
C nearby, so you don't have to jump:
Play the C arpeggio, switch to the G arpeggio, and alternate as the chords change. Start by running them straight up and down. Get comfortable, then get more creative.
You can do this with any pair of chords.
A minor notes: A, C, E. C is already part of that. You've got C and E, and there's an A on that same fret. Play the C arpeggio, then A minor. Easy pair to practice.
Don't lock yourself to strings 1-2-3.
Example, C on strings 2-3-4: fifth fret on the second, third, and fourth strings.
Or higher: 10th fret on the fourth string (C), 9th fret on the third (E), 8th fret on the second (G). Then find G nearby, or A minor nearby.
The idea: know the notes of the arpeggio, pick a group of strings (3, 4, 5, whatever), and find those notes.
Tons of songs use this.
You can also mix positions instead of climbing the neck: G in one spot, a standard D shape, Em on the open first three strings or as a little Em shape (G on first string, E on second string 5th fret, B on third string 4th fret), then C nearby.
Lots of ways. Exploring nearby arpeggios is how you actually learn the fretboard.
One of my favorite progressions for students learning open chords or arpeggios. Eight chords.
When you play the intro to Hotel California, you capo the 7th fret and play these relative shapes (not the concert-pitch names):
Em – B7 – D – A – C – G – Am – B7
For arpeggios, find the notes of each of those chords and link them, staying in a similar part of the neck when you can. You don't have to stay on the same three strings the whole time.
From the lesson, the notes you're hunting:
Practice running those arpeggios up and down and linking them together just like a chord progression: Em, B, D, A, C, G, Am, B.
Most of the time you want to stay in a similar part of the neck. If you know where the arpeggios are, you can change the sound without jumping all over.
A lot of people complain about being stuck in a scale box. Finding the arpeggios for the chords frees you up. Scale notes become stepping stones between arpeggios — or passing notes while the arpeggio tones are your target tones. That's a huge part of why great players sound like they do.
You can use this for improvising, soloing, and lead parts. In an old band of mine, the last chorus of a song was just a D minor arpeggio moved up an octave (same shape as a regular D minor chord) with extra notes on the first string: 13th fret, pinky 15, up to 17, back to 15, while holding the arpeggio shape. Simple, and it sounded great in the song.
If you want a simple place to start, grab my free Top 10 Things to Learn on Guitar First at http://simpleguitar.com/top10.
And hang out with other adult guitar players in the Simple Guitar Facebook group: http://facebook.com/groups/simpleguitar.
About the Author
Brad from Simple Guitar helps adult learners play the songs they love without the frustration. Visit simpleguitar.com for more free resources and lessons.
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